[Interview] Every Painting Tells a Story: National Gallery Singapore X Samsung Art Store Partnership Introduces World to Southeast Asian ArtBy STF News
Art is a reflection of a region’s history, providing valuable insights into the direction society is headed. This is especially true for National Gallery Singapore, which oversees the world’s largest public collection of modern Singapore and Southeast Asian art — acting as a “melting pot” of art from the region.
Samsung Art Store is an art subscription service that began in 2017 for The Frame, the company’s lifestyle TV. In partnership with more than 50 museums and galleries worldwide, the service provides more than 2,000 pieces of artwork, ranging from famous paintings to unique pieces from emerging artists. Through this service, users can access various works of art in 4K resolution from the comfort of their own homes.
Since April 2022, Samsung Art Store has been partnering with National Gallery Singapore to bring consumers a curated selection of prominent artworks by Singaporean and Southeast Asian artists. A leading visual arts institution, the Gallery is a custodian of over 8,000 works that form Singapore’s National Collection, which capture the changing landscape of this dynamic region.
Samsung Newsroom sat down with Jason Ong, Director, Partnership Development at National Gallery Singapore to discuss how the Gallery and its partnership with Samsung Art Store are redefining the role of art galleries and its role in fostering diversity and accessibility.
▲ National Gallery Singapore
Q: National Gallery Singapore’s partnership with Samsung Art Store is fairly recent, having been announced in April 2022. Can you tell us a bit about the inspiration behind this partnership?
National Gallery Singapore is committed to making our collection more accessible as well as to deepen the public’s engagement with our artworks. Collaboration with like-minded partners, such as Samsung, help us to achieve this goal. We are especially heartened to know that though this partnership, artworks from our collection can reach an international audience in the comforts of their home.
As the first Southeast Asian museum represented in the Art Store, our presence on the Art Store allows us to showcase some of our key artworks to a global audience; we hope that this will enhance awareness and appreciation of our region’s rich art history.
Through technology, visitors are able to have a glimpse of the diversity of art and narratives showcased through the selected artworks. We hope this partnership will ignite more interest not only for works from our collection but also for Singapore and Southeast Asian art in general.
Q: Can you tell us more about the Gallery’s goal to foster and inspire a creative and inclusive society? What does this look like?
The Gallery is working towards expanding the hearts, perspectives and horizons of the public through art. We have been steadfast in our ambition to deepen art appreciation in our audiences. Our desire to develop the Gallery as a space for dialogue and discovery also extends to the exhibitions we present. By sharing the magic of storytelling with all, our exhibitions and programs can add to, adapt or remake age-old tales. Our critically acclaimed exhibitions are curated to promote conversations and encourage fresh perspectives on the art of Singapore, Southeast Asia and the world.
Q: Samsung Art Store recently updated its selection from the Gallery’s diverse collections to include pieces from renowned artists such as You Khin, John Turnbull Thomson and Raden Saleh. How were these works chosen?
We display a unique transnational approach towards our collection as we aim to rewrite the art histories of this region. The works selected for Samsung — varying in medium, subject matter and social concerns — demonstrate the diversity of art from the region. You will find a wide range of works drawn from various countries in the region from the 19th to 20th century, varying in medium and artistic style.
Q: Which three would you recommend for users to display on The Frame?
Kampong Pasir Panjang was painted by Singaporean artist, Idris Ali, in 1965. Idris Ali’s paintings of Singapore are important as they serve as visual documentation of our national heritage. We hope that this painting provides an insight into the local landscape of early post-independence Singapore.
▲ Kampong Pasir Panjang (1965) by Idris Mohd Ali
You Khin’s Untitled (Doha Scene: Pakistani Bakers) records the local Pakistani bakery that Cambodian artist, You Khin often visited with his children during his years in Doha and offers insights into how he passed the time in his adopted home. This painting also demonstrates how other regions of the world are interpreted in Southeast Asia’s modern art through artists who travelled widely like You Khin.
▲ Untitled (Doha Scene: Pakistani Bakers) (1990) by You Khin
Boschbrand (Forest Fire) is one of the most iconic artworks of the Gallery represented in the Art Store since the inception of the partnership in April. While this piece isn’t one of the latest additions to the Art Store, it is a remarkable artwork with a dramatic representation of wild animals chased by flames to the edge of the precipice. The work was presented as a gift by Indonesian artist Raden Saleh to his patron King Willem III of the Netherlands in 1850. It is monumental in scale; we are glad that this masterpiece can be displayed and appreciated by The Frame owners from the comforts of their homes.
▲ Boschbrand (Forest Fire) (1849) by Raden Saleh
Q: You’ve worked on digital projects ranging from NFTs to the Web3 universe to make art more interactive and accessible. How do you foresee technology bridging the accessibility gap for consumers and artists in the coming years?
We must continue to harness this ability as we press towards the digital realm alongside everyone else. It is not enough to replicate the experience of visiting our galleries. Instead, visitors will have the opportunity to craft their own unique museum experience through modes of online engagement centered on interaction. Through video tutorials, games and livestreams, individuals can query artists; children can make art with their parents; and students can tour our exhibitions with their teachers.
As part of this initiative, the Gallery has recently created a private blockchain for “Adopt Now,” a public crowdfunding initiative that allows anyone to adopt part of an artwork from its art collection for as little as 50 Singapore Dollars. We are thrilled to report that this micro-giving initiative has received an encouraging response.
Q: Do you have any other upcoming exhibitions or projects you can tell us about? Do you have plans for any more digital art projects in the future?
As an innovative museum, National Gallery Singapore continues to innovate and explore emerging technologies to see what is possible in creating more opportunities for art appreciation among our visitors. To make art even more accessible, the Gallery launched ARText in September, an interactive platform that lets users learn about Southeast Asian art through daily conversations on common messaging apps.
ARText is built on the concept of micro-learning and delivers bite-size and interactive art learning experiences to mobile devices. The Gallery is also looking at personalizing the experience by integrating artificial intelligence text recognition software.
To see more artwork from National Gallery Singapore, head to Samsung Art Store in The Frame.
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By STF News
Samsung Electronics recently completed the installation of an upgraded display solution in the Swiss Life Arena, making it the most modern ice hockey arena in Switzerland. The display solution modernizes the space by providing revamped hardware and software as well as technical support for the ZSC Lions and includes the largest indoor LED cube in Europe. The upgrades were made possible by Samsung’s innovative technology and have enabled the Swiss Life Arena to meet National Hockey League (NHL) standards, a level typically only achieved by North American arenas.
▲ The LED cube installed at the Swiss Life Arena is the largest indoor LED cube in Europe.
As an official display technology partner of the Swiss Life Arena, Samsung outfitted the arena with a wide range of signage products and technical solutions to enhance the customer experience and improve operational efficiency.
“We are proud to present Samsung’s display technology after working with our AV Solution Partner Bild+Ton and the ZSC Lions to equip what is now the most modern ice hockey arena in Switzerland, delivering a world class fan experience,” said Daniel Périsset, Head of CE IT Team, Display and Memory at Samsung Electronics Switzerland. “The unparalleled quality of the solutions will help us deliver the best experiences in the rapidly evolving sports entertainment industry.”
Ground-Breaking Display Solutions To Wow Fans
Samsung installed 669 square meters of LED signage inside the arena, totalling over 18 million LEDs. From players on the side lines to fans in the stands, Samsung’s vibrant display technology allows everyone in the arena to be immersed in the action thanks to brilliant clarity and consistent color presentation. The advanced LED technology provides lifelike picture quality by optimizing brightness levels while eliminating shine and visual inconsistencies.
The central LED Cube display — which measures 12(w)x12(d)x8(h) meters — is the principal element of the fan experience with 416m² of the LED signages. Regardless of where fans sit in the arena’s 12,000 seats, they will be able to enjoy the stunning video display. Designed with premium picture quality and vibrant colors, the Cube will captivate audiences and set the mood using ambient light and sound. During the process of constructing the massive Cube, the teams collaborated to overcome the challenges of keeping the total weight as low as possible and managing the sheer scale of the installation.
▲ The large LED cube and ribbon boards surrounding the entire arena present high-definition picture quality along with ambient lighting and sound.
“You need a reason for fans to come back to the stadium, and we can do so many things now to communicate during the game with the fans. It’s not only the Cube — it’s the screens; it’s the signage,” said Bruno Vollmer, Chief Operating Officer of the ZSC Lions. “The support from Samsung was amazing and we can be proud, all of us, for what we have done.”
To create a fluid and dynamic experience for guests, the Samsung displays include various ribbon boards — long and thin LED screens mounted on the face of balconies — and audio equipment. Thanks to the optimal visibility and low reflection technology of the ribbon boards, fans will not miss any action on or off the field — even in constantly changing lighting conditions.
The content management across all signage displays is supported by MagicINFO 9, the cloud-based solution for the most comprehensive signage offering 24/7 technical support. Managing on-screen content is made simple using Samsung’s powerful MagicINFO 9 solution, which supports content, device and data management across all the displays throughout the entire arena. MagicINFO 9 also allows users to manage content remotely and securely, meaning updates can be made quickly to reflect match details, advertising, or important customer information.
A Connected Experience Throughout The Arena
By delivering a complete display solution, Samsung has helped to enhance every moment of the audience experience at the arena, accompanying visitors from the minute they arrive until they depart. With an upgraded Players Club and a connected customer experience from the concourse to the Business Club, Sports Club and Press Room, fans can explore the arena while staying informed about the latest game updates.
▲ Signage and displays integrated throughout the arena by Samsung allow visitors to explore the venue while not missing out on any of the game action.
To ensure the technology was incorporated into every corner of the arena, Samsung installed 240 strategically located displays across the stadium. The crystal-clear picture quality of Samsung’s smart signage solutions, including the Q-series signage, are on display in the sports bar and around the concourse. Specifically, the ultra-high definition 4K resolution of the QMR series keeps audiences engaged in the action while enjoying food and beverages in the sports bar. In the auditorium, guests will be mesmerized by The Wall (IWA), a massive and awe-inspiring screen offering a vivid visual display. Furthermore, Samsung B2B monitors were selected for the ZSC Lions’ offices due to their high-resolution picture quality and productivity features.
Adrian Wangeler, Chief Executive Officer, Bild+Ton, shared, “Samsung always responds quickly and easily. Working directly with the manufacturer has the advantage of being able to fall back on the specialists and developers.”
As an industry leader in the global signage market for the past 13 consecutive years,1 Samsung stands out in the sports entertainment industries. Following Samsung’s visual display milestones equipping Citi Field and SoFi Stadium, fans can expect an extraordinary experience at Swiss Life Arena — powered by the latest innovations from Samsung.
Watch the full video about Samsung’s innovative installations at the Swiss Life Arena here:
Samsung is the official display technology partner of Swiss Life Arena, Switzerland-based ice hockey arena and home to the ZSC Lions.
1 Samsung has been the No.1 selling digital signage brand for 13 consecutive years by Omdia. (Note: Consumer TVs, along with Commercial Lite and Hospitality TVs used for signage are excluded.)
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Need to make a repair on your Samsung phone? The company might soon have an app for that.
As reported by SamMobile, Samsung has made a trademark filing for a new app that has sparked rumors the company could take on repair companies like iFixit for its own devices. The trademark filing, among other things, makes mentioned of a new “Self Repair Assistant” app.
If the company releases such an app, it could help the company expand its self-repair program which, despite being launched over the summer of 2022, has also added a few devices to the program to enable consumers to repair certain aspects of their devices.
Samsung is the second major phone company to launch a self-repair program to bring such concepts in-house. Apple has already launched its own self-repair program and continues to add devices that customers can purchase parts and tools for in order to make their own repairs as opposed to taking it to an Apple Store or third-party retailer.
If it does launch such an app, it could enable the company to support more devices for self-repair more quickly. It also poses a threat to third-party repair companies like iFixit, whose business is based on helping customers repair their devices themselves. With a Self Repair Assistant app, Samsung could be looking to get into that business.
The post Samsung might release an app that helps you repair its phone appeared first on BGR.
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After the Galaxy S22 series blunders, Samsung assuredly can’t wait to release a traditional smartphone that consumers can actually get excited about. Add to that the incredible iPhone 14 Pro sales and Apple’s manufacturing issues in China, and Samsung has plenty of reasons to launch the Galaxy S23 series as quickly as possible next year.
A report from Korea says the launch event will take place in the US in early February. But we don’t have an actual date for the event yet.
We’ve always expected the Galaxy S23 series to hit stores in the first quarter of 2023 after a two-week preorder period. That’s been Samsung’s strategy in recent years. But this is the first time that a more specific launch window has leaked this early.
According to Korean media, an unnamed Samsung executive confirmed the launch period.
“The S23 series will be shown during our own Unpacked event in the United States, which will be held in February,” the person said. They didn’t mention a date or city, but local media said the Galaxy S23 launch event would take place in San Francisco in the first week of the month.
February 1st falls on a Wednesday next year. If the claim is accurate, Samsung will launch the handset by Sunday, February 5th. Samsung unveiled the Galaxy S22 on February 9th.
Galaxy S23 Plus renders reveal redesign. Image source: @OnLeaks/Smartprix The Galaxy S23 could hit stores before the 2023 edition of the Mobile World Congress kicks off in Barcelona on February 27th. MWC was once the home of the Galaxy S launch event. But in recent years, Samsung moved away from the big Spanish mobile show.
The report notes that the Galaxy S23 series might be more expensive. But the good news is that Qualcomm’s brand new Snapdragon 8 Gen 2 will power all Galaxy S23 models. This should prevent any performance issues similar to the Galaxy S22 series.
Galaxy S22 issues aside, Samsung’s mobile business isn’t doing great compared to Apple’s iPhone. Samsung handset sales fell 11% last month, according to the report. Apple’s iPhone sales rose by 10% as the company launched the iPhone 14.
Demand for the iPhone 14 Pro remains high in December, as Apple is dealing with massive COVID-related production issues in China that have further delayed shipments. An early Galaxy S23 launch might help Samsung take advantage of that.
Samsung has yet to announce anything officially. Invites for the Galaxy S23 media event should go out in January if the early February launch event claim is accurate.
The post Galaxy S23 launch event reportedly set for early February appeared first on BGR.
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Samsung has been trying to beat the iPhone for years. And it has failed for years. Apple still makes the most coveted flagship phones in town, and Samsung is still a fast follower in the business. Even now, in 2022, Samsung continues to copy Apple’s new iPhone features all the time. The iPhone 14 Pro’s success is another pain point, and it must hurt Samsung even more considering the Galaxy S22 series’ blunders.
Samsung might criticize and mock the newest iPhones publicly, but it probably loves the success of Apple’s new iPhone series. That’s because Samsung happens to be a massive supplier of a critical component that Apple uses to manufacture iPhones: OLED screens. And the iPhone 14 Pro and Pro Max got even more sophisticated OLED panels this year. The big winner? Samsung Display.
Even before Apple’s early September iPhone 14 launch event, reports claimed that Samsung would be the main supplier of Apple’s OLED panels. LG and BOE would also supply displays for certain iPhone models, although Samsung would get the largest share.
A new report from The Elec claims that Samsung will supply over 70% of the OLED panels Apple needs for the iPhone 14 series.
Apple is expected to need about 120 million OLED screens for the iPhone 14 series, and Samsung will reportedly account for more than 80 million units. LG Display will supposedly make 20+ million units, while BOE will ship 6 million screens to Apple. LG and BOE reportedly encountered setbacks that allowed Samsung to increase its share.
iPhone 14 Pro on a throw. Image source: Jonathan Geller, BGR The report notes Apple needs two types of panels. The low-temperature polycrystalline silicon (LTPS) thin-film transistor (TFT) OLED equips the iPhone 14 and iPhone 14 Plus.
The iPhone 14 Pro and iPhone 14 Pro Max feature low-temperature polycrystalline oxide (LTPO) TFT OLED panels. These are the displays that support 120Hz dynamic refresh rates. The refresh drops as low as 1Hz, enabling the always-on display functionality exclusive to the Pro models.
Samsung supplies OLED panels for all four iPhone 14 models. But some 60 million Samsung OLED panels will serve the iPhone 14 Pro versions. These should be the most expensive OLED panels that Apple utilizes this year.
A report from Nikkei said recently that the iPhone 14 Pro Max’s cost of parts rose to $501 this year, a $60 increase over the iPhone 13 Pro Max. The A16 Bionic chip is an expensive component, according to the report. But 24.8% of that cost goes to South Korean suppliers.
Samsung and LG are two of them. It’s unclear how many other South Korean suppliers make parts for the iPhone 14 Pro Max. But the OLED display is one of the iPhone’s most expensive parts no matter what company makes it.
Per The Elec, LG makes OLED panels for the 6.1-inch iPhone 14 and the 6.7-inch iPhone 14 Pro Max. BOE only scored contracts for the 6.1-inch iPhone 14. This indicates neither company is ready to challenge Samsung in the short term.
At the end of the day, the iPhone 14 series will add billions of dollars to Samsung’s earnings. That’s a great perk to have from a smartphone that outsells Samsung’s own flagship Galaxy smartphones by an order of magnitude.
Of note, Samsung will probably continue to benefit greatly from iPhone sales in the future unless LG and BOE can significantly up their game. All iPhone 15 models launching next year will feature OLED panels.
The post Samsung secretly loves the iPhone, and that might never change appeared first on BGR.
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