[Odyssey Infographic Series ①] How the Odyssey Gaming Monitor Has Evolved To Lead the Market
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By Samsung Newsroom
Samsung Electronics, a Worldwide Olympic and Paralympic Partner, today announced that it has supplied professional monitors to support officiating and broadcast operations for select short track speed skating disciplines at the Olympic Winter Games Milano Cortina 2026.
“In environments where critical decisions depend on what people see, visual accuracy and reliability matter,” said Hun Lee, Executive Vice President of the Visual Display (VD) Business at Samsung Electronics. “We’re proud to see our professional monitors used in these real-world settings, and we continue to focus on developing display technologies built on precision and trust.”
Short track speed skating is one of the fastest and most technically demanding sports in the Olympic Winter Games. Races are often decided by razor-thin margins — sometimes as little as 0.001 seconds — and outcomes can hinge on brief moments such as athlete contact or the precise positioning of a skate blade. In these situations, officials rely on high-speed camera systems and real-time video review to evaluate incidents and ensure fair competition.
To support this process across short track speed skating disciplines, professional Samsung monitors are used to enable real-time video review and competition monitoring. With the aid of these monitors, officials can clearly assess critical moments and confidently make rulings.
ViewFinity S8: Supporting Officiating With Clear, Reliable Visual Review
In officiating areas near the field of play at Milano Cortina 2026, Samsung’s 37-inch ViewFinity S8 monitors (S80UD model) have been deployed to support fair play through real-time video review and competition monitoring.
The ViewFinity S8 features a 4K UHD (3,840 × 2,160) resolution and a 16:9 aspect ratio, offering a larger viewing area that allows officials to examine fine details without compromising clarity. Compared to standard 32-inch displays, the expanded screen enables clearer inspection of close calls at the same magnification, helping officials review footage with greater confidence. HDR10 support further enhances contrast and color expression, ensuring faithful reproduction of video feeds during critical decision-making moments.
Odyssey Ark: Supporting Broadcast and Production Operations
Samsung monitors have also been installed in video rooms operated by Olympic Broadcasting Services (OBS), the official Olympic broadcaster for the International Olympic Committee (IOC). In these broadcast and production environments, Odyssey Ark supports teams monitoring multiple live feeds on a 55-inch display with a 1,000R curvature and 4K UHD (3,840 × 2,160) resolution.
Designed to enhance immersion while minimizing visual distortion, Odyssey Ark helps broadcast teams maintain a clear view of fast-paced action as competition intensity unfolds. A 1ms GtG1 response time supports consistent image clarity during dynamic scenes, contributing to smooth monitoring across live production workflows.
Bringing Advanced Monitor Display Technology to Global Sporting Events
During the Olympic Winter Games Milano Cortina 2026, Samsung is carrying out its global Olympic and Paralympic partnership campaign, “Open Always Wins.” First introduced at the Olympic and Paralympic Games Paris 2024, the campaign reflects the value of openness — embracing differences, rejecting discrimination and creating greater possibilities through collaboration. At Milano Cortina 2026, the message is shared alongside Team Samsung Galaxy, Samsung’s official Olympic and Paralympic athlete ambassadors.
Building on its experience supporting live competition and broadcast environments at Milano Cortina 2026, Samsung will continue developing monitor solutions optimized for global sporting events and complex on-site operations, supporting fair competition and seamless production under the most demanding conditions.
About Samsung’s Involvement in the Olympic Games
Samsung has been a Worldwide Olympic Partner since the Olympic Winter Games Nagano 1998. For nearly 30 years, athletes and fans have trusted Samsung’s transformative mobile technology to share the Olympic spirit globally and to help shape the digital future of the Olympic Games for Milano Cortina 2026 and beyond. The company’s commitment to the Olympic Movement soon faces its fourth decade of partnership and extends through LA28 Games. Samsung’s purposeful innovations in the wireless communications and computing equipment category, including equipment that features artificial intelligence, virtual reality, augmented reality and 5G will help to change the way the world experiences the Olympic Games.
About Samsung’s Involvement in the Paralympic Games
Samsung is a Worldwide Partner of the International Paralympic Committee (IPC) in the wireless communications and computing equipment category. Starting from Paralympic Winter Games Torino 2006, the company has proudly supported the Paralympic Movement and enabled athletes and fans around the world to share the excitement and inspiration of the Games through Samsung’s transformative mobile technology. Samsung’s commitment to the Paralympic Games will extend through to LA28 Games and be celebrated through innovative mobile and computing experiences powered by purposeful innovations in the wireless communications and computing equipment category, including equipment that features artificial intelligence, virtual reality, augmented reality and 5G.
Gray-to-Gray, the length of time required for a pixel to transition from one shade of gray to another. ︎ View the full article
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By Samsung Newsroom
Earlier this year, SmartThings announced a new program called Certification by Similarity (CbS) within our Works with Samsung SmartThings (WWST) partner program. This program is designed for Smart Home OEM’s to be able to certify portfolios of products, rather than certifying each product one by one.
Additionally, we released a new developer feature called Product Cloning, which allows partners to input the details of one product and copy for all the similar products.
Many of our device manufacturing partners have a portfolio of devices that have the same smart technology on the inside but come in many different shapes, colors, and other variations. We are making it easier and more cost efficient than ever to certify the entire portfolio.
After releasing this new certification option, we have heard excellent reviews from our partners. Read on to discover how to take advantage of this new offering.
Product Cloning
SmartThings Product Cloning allows you to enter information for one product and clone it to generate multiple entries for all similar products. The similar products include all the critical information — all you need to do is update the unique identifiers, like the Matter Product ID and Model Number.
Easily copy product details and enter whole product lines
Save time and get certified faster
Get Started
How to clone a product:
Visit the SmartThings Certification Console. Navigate to the Products page (second icon from the top on the left). Enter your product details for one product and save it. Navigate back to the Products page. Under the Actions menu on the product, you have an option to create multiple products at once with Product Cloning.
You can add up to 10 clones with the option to enter the unique identifiers. Once created, the clones appear in your Products list; you can open them up and modify any of the details before submitting for WWST Certification.
WWST Certification by Similarity
Certification by Similarity (CbS) allows you to reduce your WWST certification time and cost by identifying related products with similar core functionality but with different model numbers and minor differences like colors, shapes, or regional variations.
Example Certification by Similarity use case with a portfolio of RGBW, RGB, and white balance light bulbs:
Start by submitting a primary product for certification that is a superset of all the portfolio features — such as one of the RGBW light bulbs. Once the primary product testing is complete, the similar devices — such as the RGB and white balance light bulbs — can get fast-tracked through certification, for free. Additional devices can be either submitted at the same time as the primary product or at a later date. All you need to do is submit the product information and link it with the primary product. We then verify that the features are the same as your primary product and grant you certification.
Devices that Can Be Considered for CbS
The following criteria must be met for the devices to be considered for CbS:
Note: Cloud Connected Devices may have different Device Profiles and still be considered for Certification by Similarity. This is possible only if the Capabilities for similar products are a subset of the primary product. If a similar device has additional Capabilities, partial testing is required.
Learn more about CbS in the Developer Documentation and Certification Console.
Get Started
How to submit similar products for WWST:
Visit the SmartThings Certification Console. Navigate to the Certifications page. Submit your primary product for certification. Navigate back to the Certifications page and select the target similar product to certify. You now have the option to link this submission with the primary product. Select the associated primary product and submit your product for certification.
Certification by Similarity FAQs
How is the primary product determined?
→ The primary product has all the Capabilities of other devices in the group. In this example, Product 4 or Product 5 could be the primary.
How can we guarantee CbS will be approved before submitting for WWST certification?
→ We recommend following the guidelines in the Developer Documentation. The WWST team makes the final decision after reviewing your submission.
Should I submit the primary product and wait for it to be fully certified before submitting secondary devices to be considered for CbS, or can all of the products be submitted together?
→ When submitting products, you do not need to wait. You can submit the primary product and similar products at the same time.
I have multiple brands, including some that have the same hardware and firmware. Can CbS be extended to these multiple brands?
→ In order to be considered for CbS, products must contain the same brand. View our documentation to review the CbS program requirements.
How does the publication / timing work for CbS devices compared to the primary product?
→ See our Publish Your Device guide on publication/timing.
Want to integrate your device(s) with SmartThings? Visit our Developer Center to get started and access Product Cloning and Certification by Similarity tools.
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By tv2023
Hello
How can I set screen time limit for my kids on Samsung tv.I know there are parental controls to block apps etc but no way to set screen time limit.
I couldn't find any parental control apps either that control TV devices, are there any?
Smartthings app didn't work either to block TV. I can set scenes etc. but kids can just turn the TV back on.
Please help!!
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By Mahesh Gadhe
As sometimes date and time for tizen tv is not correct so is there any way to set system date and time from app through code
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By Samsung Newsroom
Samsung Art Store is the epitome of the digital-physical blend taking over today’s art experiences. It allows widely acclaimed galleries, museums and artists to showcase their masterpieces to users around the world by using The Frame’s immaculate digital display. Since its launch in 2017, Samsung Art Store allows for extraordinary, one-of-a-kind art selections to be accessible to consumers from the comfort of their own homes.
Stuart Franklin is an award-winning photographer who has traveled all over the world in pursuit of his work. The titles Franklin has held over the years vary from photographer to documentarian and art curator, with his work landing on the pages of newspapers, books, magazines and other media in between.
Over the years, Franklin’s work has gained considerable momentum and visibility — his work has earned a place in renowned publications around the world. Now, his work is featured on Samsung Art Store, introducing even more variety to the ever-growing art collection that is accessible through The Frame.
Samsung Newsroom sat down with Franklin to talk about his work and how he sees digital transformation taking the art world into new, unimaginable spaces.
▲ Stuart Franklin
Q: Briefly tell us about yourself, your work and the inspiration behind your photography.
I am a Magnum photographer, and I have been working in the industry for over 40 years. I am inspired by many things: light, form, the subject itself, often the overall idea behind a larger project. But these days I also enjoy drawing and painting as well.
I am currently working on a book about trees. 25 years ago, I published a book called The Time of Trees (1999), and I am now revisiting the subject in preparation for a new book in 2023.
Q: You began studying photography in 1976 and have made quite an impact since then. How has your photography evolved over time?
After studying drawing and painting, then photography, I began a career working for newspapers and news magazines. My stories were always people stories: in the news, street photography and portraits. This began to change during the 1990s when I began to focus more on landscape work — I worked on magazines, books or exhibition commissions and an exhibition for the National Galleries of Scotland.
Q: You are known for your wide array of photography styles. Could you elaborate more on your creative process?
My work has evolved over time. In the past, I worked mostly in news features or breaking news. I haven’t given that up: I recently did work on the Covid-19 pandemic in the U.K. But more and more I am focusing on landscape photography. Currently, I am interested in the relationship between nature and memory, so the conversation surrounds the relationship between elements in the landscape that spark a memory and something objectively interesting in the landscape itself.
Q: What is your favorite setting or location to take pictures?
Right now, forests. I have recently been working in the largest walnut forest in the world in Kyrgyzstan.
Q: Can you tell us specifically how advancements in technology and the emergence of digital art and platforms have changed or shaped your career?
Unusually, my work has moved full circle from working on color transparency film and black and white negative to digital color in about 2004 and now back to 80% film. I use my Samsung Galaxy S21 Ultra for about 90% of my digital color photography these days. Digital has many advantages, especially working in low light. But currently, I am working with film in black and white and digitally with the Galaxy S21 for color.
Backlighting and increased dynamic range are always an advantage with digital displays, but the disadvantage is often reduced image size. It is difficult to mix the two. Anything backlit in an exhibition will always stand out more than a silver gelatin print.
▲ “Caroline Islands (2000)”, Stuart Franklin
Q: Caroline Islands (2000) is one of your most popular photographs displayed on The Frame. Tell us briefly about this piece. Why do you think people are attracted to this image?
This landscape and these colors speak of somewhere remote, a get-away, an escape, somewhere quiet and undisturbed. In bustling urban life, all these qualities become desirable.
Q: A lot of your photography within the Art Store that gained popularity over the years involve nature. Can you tell us more about what your artistic intentions were for these photos?
I have always found solace in nature and in celebrating its beauty. The challenge is making inspiring places be as inspiring in a photograph. That usually involves choosing the right light and the best time of day to be out photographing so that the highlights are not too bright or the shadows too dark. Light — the quality of light — plays a huge role in how I think about photography.
▲ “Falls, Brazil (2000)”, Stuart Franklin
Q: Can you give us some background on this photo?
This photograph was taken in late 1999 on commission for the article titled Celebrations of Earth — published in January 2000 as the opening story of the new millennium. Due to the mist formed by the water thundering down the waterfall, the morning light stayed soft for quite a long time, which gave me enough chances to make several exposures from different vantage points. Also, Polaroid films that fit my camera were easy to buy back then to help me out in trials before making the actual exposures.
Q: Where do you see the future of photography art exhibitions heading? What are your thoughts about what’s to come?
I think there will always be an attraction in seeing the print as a three-dimensional object, as one sees a painting. However, I suspect in the future that the three dimensionality that we are used to experiencing in a gallery will be deliverable digitally and become widespread in time. The digital experience will expand in ways that we can barely imagine. There will be more virtual galleries and exhibitions. I feel sure of that, and that will make art more accessible to a wider range of people.
Q: Aside from the two photographs listed above, do you have any other recommended pieces for The Frame users?
I will always be one to flag my most recent work, so perhaps the work this year from Spain, Italy or Kyrgyzstan or the work I am about to do in November in Cambodia and Bali. But then I recommend the images from Bali that I took in 1999 for the Celebrations of Earth project — I still love those beautiful green rice fields. Then there is the work from Korea. Too much to choose from.
▲ “Rice Fields, Indonesia (2000)”, Stuart Franklin
To see more of Franklin’s photographs, head to the Samsung Art Store.
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